About us
POLA Research Institute of Beauty & Culture was established on May 15, 1976, with the objective of academic exploration of makeup. Since then, recognizing cosmetics as a vital part of culture that has been nurtured through people's daily activities, the institute has been continuously engaged in 'collection and preservation,' 'research,' and 'public dissemination' concerning cosmetics culture. In addition, the institute houses globally rare artifacts, including the "Turkmen Accessories" and the "Cox Collection" .
Our Activities
Collection and Preservation
We collect and preserve approximately 6,500 artifacts that constitute the foundational corpus for the study of cosmetic culture, including cosmetic utensils, accessories, paintings, and historical documents. Additionally, the collection encompasses rare books, books, and periodicals related to cultural aspects of makeup, hairstyles, and personal adornment.
Research
We undertake research on the history, customs, and views of beauty from all ages and regions, particularly concerning cosmetics and personal appearance. Since the 1970s, the institution has been consistently conducting surveys focused on makeup and beauty awareness. Subsequently, reports offering analyses of the findings from distinctive perspectives are made publicly available.
Public Dissemination
The Cosmetic Culture Gallery offers a diverse range of programs, including access to exhibitions and published materials. Furthermore, its website provides a comprehensive overview of our collections and research findings. We also actively engages in collaborations with both domestic and international museums and galleries.
The Cosmetic Culture Gallery
Facilitating Encounters with the Diverse Realm of Cosmetic Culture and Enhancing Sensitivity
The gallery is scheduled to be inaugurated in May 2024 and function as a hub for communicating information from POLA Research Institute of Beauty & Culture. This gallery will offer gallery talks, workshops, and other programs centered on "Art & Books," a curation from a new perspective of the cosmetic culture assets accumulated through the lens of beauty, cosmetics, and attire. Moreover, the gallery will serve as a forum for engagement with society and local community, through continuous dissemination and diverse exchanges related to the world of cosmetic culture.
